Muserk, the modern music copyright and rights management company, has tapped industry veteran Marc Driskill to lead music development in its new Nashville headquarters.

An accountant by trade, Driskill has spent his career working in a hybrid role focused on helping creatives understand the flow of money in the music business—something he will continue to do in his new position. He got his start in business development at ASCAP in 1998. Driskill then moved over to Big Loud, where he served as COO, before returning to ASCAP as VP & General Manager in 2009. In 2012, he became Executive VP & General Manager of Sea Gayle Music, where he stayed for over nine years. Most recently, Driskill worked at FirstBank, where he guided the bank in establishing a greater presence in the music world and facilitated one of the largest music catalog financing facilities in the history of the bank.

“In publishing you really get to roll your sleeves up and work with music you believe in,” he says. “Muserk is a great team that is doing tremendous work to uncover and collect royalties for rightsholders all over the world, and I want to make sure that everyone in Nashville knows that they can trust Muserk to collect every cent.”

“We are thrilled to welcome Marc to Muserk and our mission here in Nashville,” says Paul Goldman, Muserk Founder & CEO. “Marc brings a vast wealth of experience and expertise to our rights management efforts. His extensive knowledge in the copyright space, coupled with his deep understanding of Nashville’s songwriting culture, will be invaluable for Muserk’s growth on Music Row.”

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Liza Anderson
Liza Anderson
As Subscription Manager/Writer, Liza Anderson contributes to many functions of MusicRow. She produces content, carries out general office tasks, assists in the daily news operations, and provides support to all team members. Liza graduated from the University of Alabama in May of 2021 with a B.A. in English and a minor in communication studies. Prior to MusicRow, she worked as an administrative assistant at Anderson Benson where she assisted the firm’s departments, such as the Entertainment Specialty Practice, with various tasks.
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